2002 – Americana band Scythian on the album Dance at the Crossroads.2002 – Solo fingerstyle guitarist Larry Pattis plays a moving version in DADGAD tuning on his album "Hands of Time.".2001 – A cover version appears on Chuck Leavell's solo piano recording Forever Blue.1997 - The Adagio Trio recorded it on the album Stillpoint arranged for cello, harp, and flute.1997 – Joe Trio ( Allen Styles, Cameron Wilson and Laura McPheeters) on the album A Cup of Joe,.1997 – James Galway and Phil Coulter, featuring James Galway on the flute.1996 – LeRoy Mack on the album LeRoy Mack And Friends.He also does a version of the song with his band which includes drumming from the Civil War time period, a standing bass, and a second harmony guitar. 1994 – Folk guitarist Tommy Emmanuel recorded it on his album Terra Firma with his brother Phil Emmanuel.
Yellowstone season 1 episode 1 songs mac#
Yellowstone season 1 episode 1 songs series#
Most recently, the song is used in the 2018 premiere of the television series Yellowstone. The song was later used in the Louie episode "The Road: Part II", where Louie dresses up in a Civil War uniform for an old-time photograph. There's nothing sexy or contemporary about it, really, except that it was attached to that series and is good music, certainly." Elektra Nonesuch director of media relations Carol Yaple told Billboard magazine, "I think was the theme that people could sort of attach the series identity to. It subsequently received airtime on some country music-formatted radio stations, which was timely as the United States entered Operation Desert Storm.
In the wake of the success of the series and its soundtrack album, the track was released as a single by Elektra Nonesuch, backed with the "Sullivan Ballou Letter" recording featuring narrator David McCullough and actor Paul Roebling reading the part of Ballou. Viewers of The Civil War frequently believe the melody is a traditional tune from the Civil War era in fact, it is the only modern composition on the film's soundtrack, as all other music is authentic 19th-century music. The song underlies nearly an hour of film. It is played 25 times throughout the eleven-hour series, including during the emotional reading of Sullivan Ballou's letter to his wife in the first episode. The Civil War drew the greatest attention to the piece. He used it in two of his documentary films: Huey Long (1985), and The Civil War (1990), which features the original recording by Fiddle Fever in the beginning of the film. In 1984, filmmaker Ken Burns heard "Ashokan Farewell" and was moved by it. Ashokan was the name of a former village in the Catskill region that is now mostly covered by the Ashokan Reservoir. Another arrangement, featuring Ungar, Mason, and their family band, is performed with two violins, an acoustic guitar, and a banjo, with the piece beginning with a solo violin.īefore its use as the television series theme, "Ashokan Farewell" was recorded on Waltz of the Wind, the second album by the band Fiddle Fever. The most famous arrangement of the piece begins with a solo violin, later accompanied by guitar and upright bass. Jay Ungar describes the song as coming out of "a sense of loss and longing" after the annual Ashokan Music & Dance Camps ended. The piece is a waltz in D major, composed in the style of a Scottish lament (e.g., Niel Gow's "Lament for His Second Wife"). Despite its late date of composition, it was included in the 1991 compilation album Songs of the Civil War. The tune was used as the title theme of the 1990 PBS television miniseries The Civil War. For many years, it served as a goodnight or farewell waltz at the annual Ashokan Fiddle & Dance Camps, run by Ungar and his wife Molly Mason, who gave the tune its name, at the Ashokan Field Campus of SUNY New Paltz (now the Ashokan Center) in Upstate New York. " Ashokan Farewell" / ə ˈ ʃ oʊ ˌ k æ n/ is a piece of music composed by the American folk musician Jay Ungar in 1982. Problems playing this file? See media help.
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